The awards were given to him during the performance. I am very sorry that due to illness I had to cancel the Met performances of "Die Walküre" and the Galas in Zürich. This is from the Austrian newspaper „KURIER“ from July 1st (you find it still online) written by their first music critic Gert Korentschnig. Kaufmann brings to the part a full-throated heroic tone that also magically floats in response to the nuances of the text.". Jonas Kaufmann was joined by Rachel Willis-Sørensen, the Prague Philharmonia and Jochen Rieder. lève-toi, soleil” from Roméo et Juliette, accompanied by Helmut Deutsch. Particularly memorable was “o dolci baci languide carezze,” where Deutsche’s piano matching Kaufmann’s threadlike pianissimo singing note for note; it was the kind of chamber music magic reserved for the recital hall and generally not heard in this repertory." ", "Although the Four Last Songs are more usually sung by a soprano, Kaufmann revealed just how well his tenor is suited to carrying them off. “In the title role, Jonas Kaufmann was in a class of his own, totally involved and giving a masterclass of daringly varied, sometimes mannered, vocal technique.”, „Kaufmann ist überhaupt der Star der Aufführung: Sein Tenor mit baritonalem Timbre, exzellenter Höhe und leichter Italianità auch bei Wagner-Rollen ist perfekt für den Lohengrin.“, „In Kaufmann, il cavaliere, la recitazione è in perfetto accordo con il disegno vocale. “Opera Recording of the year (19th Century)” is Beethovens “Fidelio” with Nina Stemme and Jonas Kaufmann, conducted by Claudio Abbado (Decca). The main roles are played by Jonas Kaufmann (Carlos), Sonya Yoncheva (Elisabeth), Ildar Abdrazakov (Philippe II), Ludovic Tézier (Rodrigue) und Elina Garanca (Eboli). According to the results of my latest medical examinations, I am now well on the way to recovery, and so I will be able to resume my activities from the beginning of July. Jonas sang "Rachel, quand du Seigneur" from Halévy's "La Juive", the duet "Già nella notte" from "Otello" and Kálmáns "Wenn es Abend wird“. which have been shown on arte TV on May 26th are still available to view online. Mi potevi scagliar from Giuseppe Verdi's Otello. G.Donizetti, Lucia di Lammermoor. You can also see it in cinemas in the UK & Ireland on August 30th. The new production of Giordanos "Andrea Chenier", starring Jonas Kaufmann, Eva-Maria Westbroek und Željko Lučić, will be relayed live to cinemas across the world at 7:15pm BST on 29 January. His third appearance with the company after 2014’s operatic arias recital and 2017’s staggering Parsifal, it’s another fitting showcase for his manifold talents. Quite simply, Verdi is musically synonymous with Italy. … Kaufmann zelebriert diesen Ton, als wäre er der Schlüssel zur Erleuchtung. Gert Korentschnig reviewed this new production in Der Kurier: “On Sunday Tchaikovsky’s ‘Queen of Spades’ became a triumph for Mariss Jansons at the helm of the Vienna Philharmonic. Support the artists, support an idea of Life that helps Life. They will share the stage with Ekaterina Gubanova (replacing Elina Garanca who had to cancel both concerts due to illness) and the Badischen Staatskapelle Karlsruhe conducted by Marco Armiliato. For his commitment to bringing classical music closer to children and youngsters Jonas Kaufmann has been awarded the "Engagement Prize" by the Stiftung „Bündnis für Kinder“. Here is the link to a video with Highlights from the recording sessions and interviews. I am so very sorry not to have been able to come to Paris to sing Tosca for a public so very special to me. In fact, few performances on disc can match it for sheer excitement, or for Kaufmann's blend of easy power, immaculate diction and lyric beauty.”, „His Act I has Jonas Kaufmann’s heroic, poetic Siegmund at the peak of his powers, partnering a limpid, youthful-sounding Sieglinde in Anja Kampe — a dream pair of Wälsung twins for our time, and one to compare with the greatest on disc.“, “At 43 Mr. Kaufmann is in his glory, equally adept in German, Italian and French repertory. And if there is an acid test for any lieder singer, it is undoubtedly Schubert’s Winterreise, a cycle of twenty-four settings of poems by Wilhelm Müller that is generally regarded as the pinnacle of lieder singing, a sequence of songs as thrilling for listeners as it is for the performer. Beim KURIER ist er seit 1988. He has been working for many years as a photographer at the Kurier, Der Spiegel, GEO and Stern. An overview of all the screenings can be found here. Marquis de Posa from Don Carlo; all the other titles he had learned especially for this CD: “Celeste Aida” from Aida and “Di quella pira” from Il trovatore, the famous tenor arias from Macbeth, Luisa Miller and La forza del destino, the dramatic highlights from I masnadieri and Simon Boccanegra and two arias each from Un ballo in maschera and Otello. programme and we are looking forward to see you at one of our next recitals, either in the Musikverein in Vienna (February 13th), the Stephaniensaal in Graz (February 15th), the Philharmonie in Berlin (February 17th), in the Theatre des Champs-Elysees in Paris (February 20th) or in the Festspielhaus in Baden-Baden (April 23th). Mai 2017, on LibraryThing. Broadcast dates are July 24 (ZDF) and August 13 (3Sat). Premiere of the „Mein Wien“ tour at the Konzerthaus in ViennaThe tour „Mein Wien“, which portrays the album’s program, had its premiere at the Wiener Konzerthaus on Monday. Der Tenor mit Stammhaus München ist gerade dabei, mit so gut wie all seinen Partien Interpretationsgeschichte mitzuschreiben. Tension stirs below the surface of the music as a blizzard builds outside and a posse of miners led by Jack Rance, the town sheriff (the husky-voiced baritone Zeljko Lucic), closes in. Opera in 2 parts (1984-1986/2003); in ; Published via scodo; 2 3 3 3 - 4 3 3 1 - perc(5), hp, org, sop.sax, baritone, guit, str; stage orchestra: 1 1 0 1 - 0 3 3 0, perc(5), org, sop.sax(Bb), str With this award, the editors of OPERA NEWS magazine regularly pay honor to extraordinary accomplishments in the operatic field. The looks of shock and disbelief, the icy coolness, the tortured nobility… this is a gripping and heartbreaking portrayal of disintegration. cancelled that appearance as well. Generally, when operatic lovers spend the better part of an act dithering about whether to kiss each other, I start to climb out of my skin. His vocal authority was matched by physical energy. Anthony Tommasini, New York Times, "Where “Recondita” was energized and forceful, “E lucevan le stelle” was gentle and intimate. Press reviews for the concerts on August 8th and 11th at the Sydney Opera House as well as on August 13th in Melbourne: "Andrea Chénier is a tenor vehicle, and there’s no tenor alive that sings the title role as splendidly as Jonas Kaufmann. Jonas Kaufmann starts his tour of Gustav Mahler's 'Das Lied von der Erde' in the Philharmonie am Gasteig in Munich on Tuesday, January 8th 2019. Don't miss the cinema presentation of "La Damnation de Faust" from the Opéra Bastille in Paris with Jonas Kaufmann, Sophie Koch and Bryn Terfel. He was magnificent when he belted out “Freunde, das Leben ist lebenswert” (“Friends, life is worth living”) from Lehar’s “Giuditta,” a proud and fiery aria.“ Corinna da Fonseca-Wollheim, The New York Times, Oct. 7th 2018. Jonas Kaufmann and the director Amélie Niermeyer talked about the new production of Giuseppe Verdi’s Otello and other topics such as outsiders, foreigners and a thoroughly unsettling work for the most recent MAX JOSEPH Magazin. Eine große Lugner-förmige Lücke . The performance with Jonas Kaufmann, Anja Harteros and Roberto Frontali in the leading roles and conducted by Marco Armiliato will be broadcasted via  livestreaming and starts at 7pm. He has an ideal sparring partner in Marlis Petersen’s flirtatious, tigerish Marietta.Neil Fisher, The Times, Paul's role is tailor-made for Jonas Kaufmann, on account of his vocal and expressive affinity.Juan Antonio Muñoz, El Mercurio, Welch ekstatischer Abend; welche Kraft der vokalen, orchestralen, szenischen Verführung! It is awarded to acknowledge and reward excellent and outstanding achievements in the field of science and art. Seine baritonale Farbe, seine enorme Strahlkraft, sein auch in der dramatischen Höhe immer noch runder Stimmklang geben den Emotionen Richtung und Intensität. "Du bist die Welt für mich" - after the recordings sessions Jonas Kaufmann, Julia Kleiter, the Rundfunk-Sinfonieorchester Berlin and conductor Jochen Rieder presented those evergreens from the late Twenties and early Thirties in a concert in Berlin's legendary Funkhaus Nalepastraße. Mehr Star-Power geht nicht: Tenor Jonas Kaufmann, Sopranistin Marlis Petersen und Dirigent Kirill Petrenko sorgten für Weltklasse-Glamour in der Bayerischen Staatsoper. ", "Kristine Opolais als Manon und Jonas Kaufmann in der Rolle ihres Geliebten Des Grieux - beide in stimmlicher Bestform - wurden vom Publikum stürmisch gefeiert, ebenso Dirigent Alain Altinoglu. © 2017 Royal Opera House Covent Garden Foundation under exclusive license to Sony Music Entertainment / Sony Classical. Chénier’s poetic exhortations were fleshed out through his swarthy middle voice to the most thrillingly open top in the business. The photo shows Kaufmann handing over the cheque to Staatsintendant Nikolaus Bachler and Henning Ruhe, the Head of the Opernstudio and Coordinator of the Education Department of the BSO, before the Don Carlo performance on the 29th of January 2012. The baritonal colorings of his sound, his clarion top notes, the blend of virility and tenderness in his singing, his refined musicianship — all these strengths come together in his distinctive Parsifal.”, “Kaufmann is astonishing as Parsifal, singing effortlessly and with the radiant tone so rare in Wagner tenors.”, “Vocally, he rises to the stirring climaxes in Act 2 with his customary thrilling tone, then seems to deliberately hold back in, Act 3, giving many of his phrases a hushed, worshipful quality.”, “It is rare to see such detailed and nuanced character development in both the physical and vocal dimension, but Kaufmann's performance on Friday reminded everyone of why he is at the top of the ladder these days. His singing, which seems to gain in weight and richness every time he appears here, is exceptional. Concerning the recital in the TCE on October 13 we look for an alternate date. More information about the documentary, including two trailers, you'll find on  John Bridcut's website. Covent Gardens Musikdirektor Antonio Pappano, der am Dienstagabend dirigierte, verglich den Deutschen kürzlich mit Opernstar Plácido Domingo. The aria proper started daringly pianissimo, rising to a heartrending “Leonora mia, soccorrimi” and a glorious “Pietà del mio penar!” So beautiful was the crescendo from pianissimo to full voice on the last note that the audience burst into applause, obliterating the orchestral play out, after which Kaufmann charmingly apologised to his conductor. By kind permission of the Teatro Real in Madrid: Jonas‘ statements from the press conference (with Joyce DiDonato and Javier Camarena) which have been described as a „cri de coeur“ by international press. „Wir spielen für Österreich“: April 19 at 8.15 PM on ORF III. released: the MET DVD of „Die Walküre“ with James Levine and the concert recording of the Petersburg "Walküre“ with Valery Gergiev on SACD. Handsome and limber, he is a natural onstage. Son «Ch’ella mi creda libero» final est tout simplement irrésistible. Lui, après son épisode wagnérien barytonnant de la saison passée (Siegmund au Met) a retrouvé la position plus favorable de sa voix ; si peu italien qu’il soit de timbre, la cantilène Verdi va idéalement à son jeu expressif et dramatique d’ombres et de lumières, et la messa di voce phénoménale qui trouve dans ces longs sons tenus (rêvés) leur légitimation absolue. With his new album It’s Christmas! A video of the rehearsal of the production by Giancarlo del Monaco. BR24 kulturwelt. What a gift for the 200th anniversary of the composers birth.”, “His luscious voice is big, beefy and blasting - so no problems there. It is almost impossible to describe, but those who on Monday were in front of their smooth, bright, spotless screens know what I'm talking about.The remote encounter turned into a greater proximity and the atmosphere was filled with contemplative joy; a wish became true, with gratitude. Axel Zeininger . Saturday, March 2 at 12 pm ET: See the Met's new production of "Parsifal" in the cinema of your hometown - live in HD. Salzburger Festspiele proved impressively that fears for his voice after the month-long infection, which led him to cancel several appearances, were unfounded”  (Sophia Felbermair, ORF.at). F.l.t.r. The performance will beginn at 1PM (New York) / 7PM (Berlin/Paris). You will be informed as soon as there are any new developments. One of Jonas Kaufmann's first recordings, the opera "Ekkehard by Johann Joseph Abert (SWR / Capriccio 1998) was just rereleased. I am having fun. Here is a quick roundup of reviews so far: This Friday 16 December Jonas Kaufmann will be a guest on the televised NDR Talk show with presenters Barbara Schöneberger and Hubertus Meyer-Burckhardt. Acteur dans le son, dont l'extrême sensibilité culmine au dernier acte, où son art merveilleux de Liedersänger se pare de tons en demi-teinte, de pianissimos suspendus, qui font venir les larmes aux yeux. Then, a highly personal selection of American pop holiday favorites – “Let It Snow! ", "Phänomenal ist Jonas Kaufmann als Des Grieux. Sign in / Join; English; Help I Agree. On opening night, "Come un bel di di maggio", the condemned man's farewell poem, elicited roars of approval from buffs and adoring fans alike. Die fragile Opferrolle, die ihm Claus Guth verordnet, beglaubigt er mit vokalem Charisma.“, „Titelheld Jonas Kaufmann führte die Interpretation des vermeintlich schwachen Helden mutig über in seinen Gesang: fein und ängstlich klangen die stolzen Worte bisweilen, die finale Gralserzählung schien er mehr zu hauchen. Going by the motto "learn from the best", celebrities relay their knowledge and know-how to anyone who is interested in learning their craft. I have been fighting an infection since before the opening night. It didn’t seem like hard work to us; we just had fun putting it all together. Und zu genießen gibt’s hier reichlich, zu kritisieren gar nichts.“. Filmed live at the magical Wiener Konzerthaus, Jonas Kaufmann My Vienna is screening in selected cinemas during August and September 2020. Between the songs you’ll hear some statements from Helmut and me. Mai 2017, on LibraryThing. “’A voice as soft as wild honey dripping from a tree’– Kipling describing Bagheera, the black panther in The Jungle Book; it could equally be applied to Kaufmann, whose baritonal timbre and almost smoky half tones make his Siegmund intensely masculine. The ROH's new production, directed by Keith Warner and conducted by Antonio Pappano, will be relayed live to cinemas as round the world on June 28. However a new studio recording of Verdi’s epic masterpiece Aida being produced by Warner Classics and featuring an all star cast proves that the tradition of recording large scale operatic works in the studio is still alive. James Levine, the Met’s longstanding Music Director, who has conducted 21 complete Ring cycles at the Met; and Fabio Luisi, the Met’s Italian-born Principal Conductor, who took over conducting the second half of the cycle after illness. Protože je tato operní produkce notně – řekněme – historická, nabízí se malý výlet do dějin Salcburského festivalu. Kaufmann has done nothing better than this charismatic Des Grieux at the Royal Opera and his dark, brooding tenor sings with unstinting passion and vocal freedom. Jonas Kaufmann and Helmut Deutsch performed Schumann's Dichterliebe op. The award which which is given for outstanding achievements in the political, economic, cultural, intellectual and voluntary area, was handed by Bavarian State Premier Horst Seehofer. ", "The reason for the buzz around this revival came clear as Jonas Kaufmann launched into his rapturous opening aria. ", “His two main monologues ideally married words and line with scarcely conceivable power and dramatic nuance, all the while deploying his formidable acting skills. In his Act I aria, the Improvviso, Kaufmann released his voice for a forte high B flat, which soared with grace and ease over the 70-plus musicians and enveloped the entire auditorium.Then we knew: this repertoire, the whole world over, could not be sung any better. A tenor of superlative musical intelligence, his instrument has a unique, burnished baritonal quality; it has depth, silky legato and immense power.A moment occurred in Opera Australia’s concert performance of Giordano’s Andrea Chenier on Tuesday night, when the magnitude of what we were witnessing became fully apparent. ", "No doubt the house was delighted to secure once again Jonas Kaufmann, currently the world’s favourite tenor, in the title role. Last December in New York Jonas Kaufmann received the Gerda Lissner Foundation Charity prize. The recording was made in October last year in the August Everding Hall in Grünwald in Munich and documents the current state of a very special partnership that began many years ago at the Munich Academy of Music and Theatre. was born in Vienna in 1949. However, the romantic hero is there, juvenile and virile, but with that bit of dreamy fragility that makes him irresistible." Afterwards the 2014 "You mean the world to me" concert from Berlin will be shown at 9:30pm. “From the first moment, the tender beginning of the Vorspiel, there was a spell in the room, as you feel only on special evenings,” writes Gert Korentschnig in the high-circulation Kurier. The ceremony took place on the 25th of June in the Hubertushall of Schloss Nymphenburg. If he wanted to, Jonas Kaufmann could easily fill his calendar with Verdi and Wagner, Puccini and Massenet, but, however much he loves opera, he cannot live without lieder. KURIER. A Royal Opera House Production. His dark tenor smoulders with the heat of a poet’s unfulfilled ardour and his top notes ring out effortlessly (one of them goes from the softest thread of sound to a blazing forte). "This is a star vehicle for the German tenor Jonas Kaufmann and he drives it superbly well. His sound inescapably evokes memories of live performances and classic recordings by Vinay, Vickers and other masters; in a single night he joined their company. […]In the transitions from full-bodied operatic singing to crooning, Mr. Kaufmann’s different levels of experience showed through. The tour will continue on to Nuremberg, Paris, Hamburg, Brussels, Düsseldorf, Lucerne and Baden-Baden. More information in the press release of the BSO. With Jochen Rieder and the BBC Symphony Orchestra at the Barbican Centre. After this, his 2017 Otello here is even more eagerly anticipated. I’m very sorry that I don’t have better news for you, all the more I wish you a Happy New Year! The Award ceremony will take place on October 26th in the Philharmonie in Munich. During the past 30 years only few singers had the privilege to sing a solo recital at the Metropolitan Opera. Jonas Kaufmann on his role debut in a BR Klassik interview (in German), Mr. Kaufmann, his shadowy tenor pained and passionate, responded with uncharacteristic fearlessness. Zum zweiten Mal nach ’91 (Golfkrieg) wurde der Opernball abgesagt. The protagonists are Kristine Opolais and Jonas Kaufmann, the event will be moderated by Thomas Gottschalk. Everything works out well. With Bryn Terfel performing his first complete cycles as the embattled god Wotan and American soprano Deborah Voigt making her role debut as his disobedient warrior-daughter Brünnhilde, alongside international stars Jonas Kaufmann and Eva-Maria Westbroek as the incestuous Siegmund and Sieglinde, and last-minute stand-in Jay Hunter Morris saving the day as the fearless but ill-fated hero Siegfried, the New York Times declared the cast “as strong a lineup of vocal artists for a Wagner opera as I have heard in years”. The film will be shown in German, Austrian & Swiss cinemas from October 8th, and all other countries from November 17th, except in North America where the film will launch there in January 2016. "Otello is simply a piece that places supreme demands on the emotions from beginning to end", says Jonas Kaufmann. Free delivery on online orders of $119.99 or more anywhere in Australia It has been officially announced that Jonas Kaufmann has won an ECHO KLASSIK award for his Verdi Album in the category "Solo recording of the year / Vocal". "In this great historic opera that seems a bit like a score by Ambroise Thomas, he [Jonas Kaufmann] manages to  make his character feel a bit like Lohengrin, with a tenor voice then much less somber than today. The reviews unanimously praised the very special recital. To avoid any further misunderstandings: I did not sing, but rather lip-synched to a pre‑recorded tape. I think that Winterreise has the same sort of cathartic effect as a Greek drama: the emotional experience purges the soul. On December 10th the new production of Gounods „Faust“ had been transmitted live in HD to cinemas all over the world. For International fans, we know so far that the concert will be broadcast live in Germany (NDR), Sweden (SVT), Norway (NRK), Denmark (DR), Belgium (RTBF), Australia (UKTV) and will also be cinecast in Canadian cinemas. Jonas Kaufmann with Jochen Rieder and the Orchestra of St. Luke's at Carnegie Hall in New York City. Verdi's "Aida" (Auditorium Parco della Musica in Rome, February 27th). His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political, or erotic, hit home with terrific immediacy. Hamburg, 12th May  2013: On the occasion of the Hamburg Haven -Day the „Traumschiff“ („Dreamboat“) Germany hosted the first edition of the „Die Goldene Deutschland“ (“Golden Germany”) Awards. Am Mittwochabend sang der Tenor Wagners „Lohengrin“ an der Opéra Bastille in Paris und wurde mit stürmischem Applaus gefeiert. Gert Korentschnig reviewed this new production in Der Kurier: “On Sunday Tchaikovsky’s ‘Queen of Spades’ became a triumph for Mariss Jansons at the helm of the Vienna Philharmonic.
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